The writer whom Fran Lebowitz called “the real F. Scott Fitzgerald” makes his Penguin Classics debut with this beautiful deluxe edition of his best-loved book.
One of the great novels of small-town American life, Appointment in Samarra is John O’Hara’s crowning achievement. In December 1930, just before Christmas, the Gibbsville, Pennsylvania, social circuit is electrified with parties and dances. At the center of the social elite stand Julian and Caroline English. But in one rash moment born inside a highball glass, Julian breaks with polite society and begins a rapid descent toward self-destruction.
Brimming with wealth and privilege, jealousy and infidelity, O’Hara’s iconic first novel is an unflinching look at the dark side of the American dream—and a lasting testament to the keen social intelligence if a major American writer.
Alone in a new country, wealthy Sara Crewe tries to make friends at boarding school and settle in. But when she learns that she'll never see her beloved father again, her life is turned upside down. Transformed from princess to pauper, she must swap dancing lessons and luxury for drudgery and a room in the attic. Will she find that kindness and generosity are all the riches she truly needs?
J is for Joyce. From its chronicling of youthful days at Clongowes Wood school to the radical questioning of all convention and the desire “to forge in the smithy of my soul the uncreated conscience of my race,” James Joyce’s highly autobiographical A Portrait of the Artist as a Young Man portrays Stephen Dedalus in his Dublin upbringing. In doing so, it provides an oblique self-portrait of young Joyce himself. At its center lie questions of origin and source, authority and authorship, and the relationship of an artist to his family, culture, and race. Exuberantly inventive in style, A Portrait of the Artist as a Young Man subtly and beautifully orchestrates the patterns of quotation and repetition instrumental in its hero’s quest to create his own character, his own language, life and art: “to express myself in some mode of life or art as freely as I can and as wholly as I can, using for my defense the only arms I allow myself to use—silence, exile, and cunning.”